attar of nishapur poems

They eventually come to understand that the majesty of that Beloved is like the sun that can be seen reflected in a mirror. When the birds assemble, they wonder why they have no king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace. He obviously had no motive for sharing his expert knowledge in the manner customary among court panegyrists, whose type of poetry he despised and never practiced. All Pervading Consciousness; In the Dead of night; Intoxicated by the Wine of Love; Invocation; Looking for your own face; Mystic Silence; The Triumph of the Soul; Why was Adam; Links. This is particularly remarkable in the case of medicine, which fell well within the scope of his professional expertise as pharmacist. According to Edward G. Browne, Attar as well as Rumi and Sana'i, were Sunni as evident from the fact that their poetry abounds with praise for the first two caliphs Abu Bakr and Umar ibn al-Khattāb - who are detested by Shia mysticism. Richard W. Bulliet, The Patricians of Nishapur: A Study in Medieval Islamic Social History, ‘Cambridge (Mass. `Attar means herbalist, druggist, perfumist or alchemist, and during his lifetime in Persia, much of medicine and drugs were based on herbs. His ideas range over the whole spectrum of Persian mysticism and religious philosophy, and his writing paved the way for the triumphs of Rumi and Hafiz. Sourced quotations by the Persian Poet Attar of Nishapur (1142 — 1221) about love, god and soul. [23], Mukhtār-Nāma (Persian: مختار نامه‎), a wide-ranging collection of quatrains (2088 in number). [4] One work is missing from these lists, namely the Tadhkirat-ul-Awliyā, which was probably omitted because it is a prose work; its attribution to `Attar is scarcely open to question. or. PDF. The hoopoe tells the birds that they have to cross seven valleys in order to reach the abode of Simorgh. Farīd ad-Dīn ʿAṭṭār (en persan : فَرید الدّین ابو حامِد محمّد عطّار نِیشابوری, Farīd ad-dīn Abū Ḥāmid Moḥammed ʿAṭṭār Nīšābūrī), parfois surnommé Attar de Nishapur, est un poète mystique persan (v. 1145 - mort entre 1190 et 1229), né et mort à Nichapour (), où se trouve son tombeau. Notably, jazz bassist David Holland's album, which was written as a metaphor for his own enlightenment, and Om's Conference of the Birds, which deals with extremely esoteric themes often connected with metaphors of flight, inward vision, destruction of self, and oneness with the cosmos. Shaykh Fariduddin Attar in words of Allama Muhammad Iqbal. There are also some Qasida ("Odes"), but they amount to less than one-seventh of the Divan. Attar’s most famous poem by far is his Conference of the Birds(Mantiq al-tayr). ‘ATTAR: SELECTED POETRY Translation, Introduction & Notes by Paul Smith Farid ad-din ‘Attar is seen with Sana’i and Rumi (who he met and influenced) as one of the three most important Sufi Poet –Masters of the 13th century. `Attar was a pen-name which he took for his occupation. [4] The people he helped in the pharmacy used to confide their troubles in `Attar and this affected him deeply. Sufi Biography: Faridudin Attar. Rumi praises `Attar as follows: Attar has roamed through the seven cities of love while we have barely turned down the first street.[25]. Attar's poetry inspired Rumi and many other Sufi poets. ), Harvard University Press, 1972, pp. According to Reinert: It seems that he was not well known as a poet in his own lifetime, except at his home town, and his greatness as a mystic, a poet, and a master of narrative was not discovered until the 15th century. The story is about a king who is confronted with the materialistic and worldly demands of his six sons. Fifty Poems of Attar. Farid ud-Din Attar was apparently tried at one point for heresy and exiled from Nishapur, but he eventually returned to his home city and that is where he died. [4] Attar's lyrics express the same ideas that are elaborated in his epics. Attar a écrit plusieurs poèmes moraux et mystiques, dont les plus célèbres sont "Le Livre des conseils" ou "La Conférence des oiseaux". ), and an equally rich group of themes typical of lyrical poetry of erotic inspiration adopted by mystical literature (the torment of love, impossible union, beauty of the loved one, stereotypes of the love story as weakness, crying, separation).[24]. Each of these desires is discussed first literally, and shown to be absurd, and then it is explained how there is an esoteric interpretation of each one. She recommends Simurgh as their true king, saying that one of his feathers fell on China. From the movie: Bab'Aziz: The Prince That Contemplated His Soul Full movie can be viewed here: https://www.youtube.com/watch?v=BMJTYz9fEOg In the Mokhtar-nama, a coherent group of mystical and religious subjects is outlined (search for union, sense of uniqueness, distancing from the world, annihilation, amazement, pain, awareness of death, etc. Allama Iqbal. Attar of Nishapur- Persian Muslim poet Tehran (ISNA) - Abu Hamed Abu Bakr Attar of Nishapur was a Persian Muslim poet, and mystic has lived between 1145 c –1221c. He composed over forty books mainly in the epic masnavi form of rhyming couplets, his most famous being The Book of God and The Conference of the Birds. The Diwan of Attar (Persian: دیوان عطار‎) consists almost entirely of poems in the Ghazal ("lyric") form, as he collected his Ruba'i ("quatrains") in a separate work called the Mokhtar-nama. étiquettes récits fables poésie poèmes contes soufisme sagesse quête mystique oiseaux spirituel traditions religion spiritualité islam islam iranien mystique musulmane Intoxicated By The Wine Of Love, In The Dead Of Night, The Triumph Of The Soul Manṭiq-uṭ-Ṭayr or the Conference of the Birds or Speech of the Birds is a Persian poem by Sufi poet Farid ud-Din Attar, commonly known as Attar of Nishapur. [5] There are many more examples of such subtle symbols and allusions throughout the Mantiq. Let love lead your soul. The piece received its first performance by Saba Orchestra and the vocalist Khatereh Parvaneh at the National Television in Tehran. The Tadhkirat-ul-Awliyā, a hagiographic collection of Muslim saints and mystics, is Attar's only known prose work. Poems by Attar; Sufi Poets; Rumi; Hafiz These valleys are as follows:[20][21], Sholeh Wolpé writes, "When the birds hear the description of these valleys, they bow their heads in distress; some even die of fright right then and there. [4] His talent for perception of deeper meanings behind outward appearances enables him to turn details of everyday life into illustrations of his thoughts. In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power. At the age of 78, Attar died a violent death in the massacre which the Mongols inflicted on Nishapur in April 1221. Dec 13, 2014 - appendixjournal: “ An illustration from Attar of Nishapur’s poem “The Conference of the Birds” (1177 CE). Ritter, H. (1986), “Attar”, Encyclopaedia of Islam, New Ed., vol. [13] In explaining his thoughts, 'Attar uses material not only from specifically Sufi sources but also from older ascetic legacies. [20]":[21] 17-18. Reviews There … Ajouter une citation. 5.12. Folio from an illustrated manuscript dated c.1600. [16], Attar’s most famous poem by far is his Conference of the Birds (Mantiq al-tayr). Phenomenal Woman, Still I Rise, The Road Not Taken, If You Forget Me, Dreams Phenomenal Woman, Still I Rise, The Road Not Taken, If You Forget Me, Dreams The Ghazals often seem from their outward vocabulary just to be love and wine songs with a predilection for libertine imagery, but generally imply spiritual experiences in the familiar symbolic language of classical Islamic Sufism. The hoopoe, the wisest of them all, suggests that they should find the legendary Simorgh. The first son asks for the daughter of the king of the fairies, the second for the mastery of magic, the third for the cup of Jamshid, which has the property of displaying the whole world, the fourth for the water of life, the fifth for the ring of Solomon, which has control over fairies and demons, and the sixth for mastering alchemy. His ideas and exquisite verse deserve a wider circulation than has been accorded … Ajouter une vidéo. Attar met Rumi at the end of his life when Rumi was only a boy and gave his book Asrarnameh (The Book of secrets) as a present to him. Judging from `Attar's writings, he approached the available Aristotelian heritage with skepticism and dislike. Written and compiled throughout much of his life and published before his death, the compelling account of the execution of the mystic Mansur al-Hallaj, who had uttered the words "I am the Truth" in a state of ecstatic contemplation, is perhaps the most well known extract from the book. Contemporary Persian and Classical Persian are the same language, but writers since 1900 are classified as contemporary. "A. J. Arberry, "Sufism: An Account of the Mystics ", Courier Dover Publications, Nov 9, 2001. p. 141, Sholeh Wolpé, "The Conference of the Birds" W. W. Norton & Co, 2017, First edition p. 5, F. Meier, "Der Geistmensch bei dem persischen Dichter `Attar", Eranos-Jahrbuch 13, 1945, pp. Abū Ḥamīd bin Abū Bakr Ibrāhīm (c. 1145 – c. 1221) better known by his pen-names Farīd ud-Dīn and ʿAṭṭār, was a Persian poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism. Biography. … [14][15] He did not seem to want to reveal the secrets of nature. In its introduction `Attar mentions three other works of his, including one entitled Šarḥ al-Qalb, presumably the same that he destroyed. Abū Ḥamīd bin Abū Bakr Ibrāhīm (c. 1145 – c. 1221; Persian: ابو حامد بن ابوبکر ابراهیم‎), better known by his pen-names Farīd ud-Dīn (فرید الدین) and ʿAṭṭār (عطار, Attar means apothecary), was a Persian[3][4][5] poet, theoretician of Sufism, and hagiographer from Nishapur who had an immense and lasting influence on Persian poetry and Sufism. In the end, the birds learn that they themselves are the Simorgh; the name “Simorgh” in Persian means thirty (si) birds (morgh). He is one of the most ancient poets of Persia. Download Full PDF Package. 6 Fifty Poems of Attar Khurasan, the Hanafis and Shafi‘ts. [6] Manṭiq-uṭ-Ṭayr [The Conference of the Birds] and Ilāhī-Nāma [The Book of Divine] are among his most famous works. Farid al-Din 'Attar was born at Nishapur in northern Persia on November 12, 1119, but sources on his date of death vary from 1193 to 1234. La conférence des oiseaux di Farid Uddin Attar Adattamento teatrale e regia di Jean-Claude Carrière Con Jean-Claude Carrière e Nahal Tajadod Commento … The Hoopoe presents herself as a messenger from the invisible world with knowledge of God and the secrets of creation. However, what we do know for certain is that Attar practiced the profession of pharmacist and personally attended to a very large number of customers. One cannot gain spiritual knowledge without dying to all things. The hoopoe leads the birds, each of whom represents a human fault which prevents human kind from attaining enlightenment. The Allegorical 'Conference of the birds' is Attars most famous work. It adheres to a meter of ten or eleven syllables per line, in rhyming couplets. He has often being referred as Farid-ul-Din of Nishapur. Excerpt: "ATTAR, FARID AL-DIN MUHAMMAD B. IBRAHIM.Persian mystical poet. The Ubuntu Theater Project in Berkeley California premiered an adaptation of Attar's The Conference of the Birds by Sholeh Wolpe, in Oakland, California. 1590–1610), in ink, opaque watercolor, gold, and silver on paper, dimensions 25,4 x 11,4 cm.[22]. The Ilāhī-Nama (Persian: الهی نامه‎) or Elāhī-Nāmeh is another famous poetic work of Attar, consisting of 6500 verses. 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